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To Be Learned Is Good, If One Stays on the Rails
|Title||To Be Learned Is Good, If One Stays on the Rails|
|Publication Type||Journal Article|
|Year of Publication||2018|
|Authors||Peterson, Paul C.|
|Journal||Interpreter: A Journal of Mormon Scripture|
|Keywords||Apologetics; Doctrine; Faith; Mormon Studies; Philosophy; Study|
This review essay looks at certain problematical issues in the recently published collection of essays honoring Latter-day Saint historian Richard Lyman Bushman. Problems emerge from the title itself, “To Be Learned is Good,” as a result of the failure to note that the Book of Mormon passage “To be learned is good” is a conditional statement. In addition, since these essays are billed as “Essays on Faith and Scholarship,” it is odd most of them do not touch on this subject at all. I examine four essays in depth, including Adam Miller’s “Christo-Fiction, Mormon Philosophy, and the Virtual Body of Christ,” which is offered as a form of clarifying Mormon philosophy but provides more confusion than clarification. Jared Hickman’s essay, “The Perverse Core of Mormonism: The Book of Mormon, Genetic Secularity, and Messianic Decoloniality,” presents Mormonism as a religion that has much in common with Marxism, Frantz Fanon, and Sean Coulhard. While not as bold as Hickman, Patrick Mason looks at Mormonism as a modern religion and suggests that premodern thinkers are largely irrelevant to Mormonism and the modern world. Mason argues that “Mormonism is a religion that could meaningfully converse with modern philosophies and ideologies from transcendentalism, liberalism, and Marxism.” I discuss the weaknesses of this view. Attention is also given to the distinction between apologetics and “Mormon Studies” that arise from essays by Grant Wacker, Armand Mauss, Terryl Givens, and Brian D. Birch, who suggests “‘a methodological pluralism'” in approaching Mormon studies. I note that several of the essays in this volume are worthy of positive note, particularly those by Bushman himself, Mauss (who does address the presumed theme of the book), Givens, Mauro Properzi, and Melissa Wei-Tsing Inouye (who also addresses the titled theme of the book in a most engaging manner).
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