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Which Came First, the Music or the Words? (A Greek Text and Coptic Melody: Musical Transcription and Analysis of the Setting)." In By Study and Also By Faith, Volume 1, edited by John M. Lundquist and Stephen D. Ricks, 417-427. Vol. 1. Provo, UT/Salt Lake City: Foundation for Ancient Research and Mormon Studies/Deseret Book, 1990."
The Vision: A Sacred Historical Cantata, for Tenor Solo, Women, Men and Mixed Choirs and Orchestra." Improvement Era 23, no. 6 (1920): 532-538."
Types of Literature in the Book of Mormon: Allegories, Prayers, Songs, Genealogies." Journal of Book of Mormon Studies 4, no. 1 (1995): 106-118."
Two Hymns Based on Nephi’s Psalm: Texts and Commentary." Journal of Book of Mormon Studies 10, no. 2 (2001): 34-41, 70."
To the Children of the Church." Ensign 19 (1989): 81-83."
Nephi's Psalm., 2013.
A Musical Message of Faith and Repentance." FARMS Review of Books 13, no. 2 (2001): 1-4."
Mormon Scholars Testify: Robb Cundick. Mormon Scholars Testify, 2013.
Mayas, Nahuas, Toltecs, and Aztecs." In An Introduction to the Study of the Book of Mormon, 336-369. Salt Lake City: Deseret News Press, 1927."
Leroy Robertson and the Oratorio from the Book of Mormon: Reminiscences of a Daughter." Journal of Book of Mormon Studies 8, no. 2 (1999): 4-13, 84."
KnoWhy #500 - Is the Book of Mormon Musical? (Ether 6:9). Springville, UT: Book of Mormon Central, 2019.
KnoWhy #437 - How Do the Psalms Quoted in the Book of Mormon Teach about the Temple? (2 Nephi 25:16). Springville, UT: Book of Mormon Central, 2018.
KnoWhy #251 - Why Was Singing Hymns a Part of Nephite Worship Services? (Moroni 6:9). Springville, UT: Book of Mormon Central, 2016.
Israel's Life in Prophecy and Song." Improvement Era 46, no. 11 (1943): 676-677."
Inspired Melody and Chosen Word: The Wedding of Music and Scripture in Leroy Robertson's Oratorio from the Book of Mormon." In The Disciple as Scholar: Essays on Scripture and the Ancient World in Honor of Richard Lloyd Anderson, edited by Stephen D. Ricks, Donald W. Parry and Andrew H. Hedges, 139-162. Provo, UT: Foundation for Ancient Research and Mormon Studies, 2000."
In Tune with the Music of Faith In The One Hundred and Eighty-Second Annual General Conference of the Church of Jesus Christ of Latter-day Saints. Salt Lake City: The Church of Jesus Christ of Latter-day Saints, 2012.
“Hail, Cumorah! Silent Wonder”: Music Inspired by the Hill Cumorah." Journal of Book of Mormon Studies 13, no. 1-2 (2004): 98-109, 171-173."
Every Kindred, Tongue, and People." In The Disciple as Witness: Essays on Latter-day Saint History and Doctrine in Honor of Richard Lloyd Anderson, edited by Stephen D. Ricks, Donald W. Parry and Andrew H. Hedges, 218-221. Provo, UT: Foundation for Ancient Research and Mormon Studies, 2000."
An Encore of the Spirit." Ensign 21, no. 10 (1991): 32-42."
Emma Smith’s 1841 Hymnbook." Journal of the Book of Mormon and Other Restoration Scripture 21, no. 1 (2012): 12-27."
The Delights of Making Cumorah’s Music." Journal of Book of Mormon Studies 13, no. 1-2 (2004): 70-77."
"The Choirs Above"." In The Most Correct Book: Insights from a Book of Mormon Scholar, 167-169. Salt Lake City: Cornerstone Publishing, 1999."
Choirs Above." In Testaments: Links between the Book of Mormon and the Hebrew Bible, 132-134. Toelle, UT: Heritage Press, 2003."
The Book of Mormon in Latter-day Saint Hymnody." Journal of Book of Mormon Studies 9, no. 1 (2000): 14-27, 76-77."
"The Book of Mormon an Inspirer of Art." Relief Society Magazine 14, no. 9 (1927): 436-437.
The Bible and the Book of Mormon—A Parallel." The Young Woman's Journal 9, no. 11 (1898): 490-492."